{"id":5050,"date":"2025-02-03T01:29:44","date_gmt":"2025-02-03T06:29:44","guid":{"rendered":"https:\/\/masterfactura.com\/2025\/02\/03\/who-had-the-best-song\/"},"modified":"2025-02-03T01:29:44","modified_gmt":"2025-02-03T06:29:44","slug":"who-had-the-best-song","status":"publish","type":"post","link":"https:\/\/radiolanuestrafm.com\/?p=5050","title":{"rendered":"Who Had the Best Song?"},"content":{"rendered":"<p> [ad_1]<br \/>\n<\/p>\n<div id=\"post-1235890922\">\n<header class=\"a-article-grid__header\">\n<p class=\"article-excerpt \/\/ a-font-primary a-content-link-style u-font-size-20@mobile-max u-font-size-21 lrv-u-margin-t-075 lrv-u-margin-b-125\">Here&#8217;s who hit the stage and highlighted Music&#8217;s Biggest Night.<\/p>\n<\/header>\n<article class=\"a-article-grid__main lrv-u-padding-t-1@mobile-max lrv-a-grid-item u-max-width-100p lrv-u-margin-b-1@desktop u-margin-b-2@desktop-max\">\n<p>\t\t\t<!-- Featured Media. Featured Video > Linked Gallery > Featured Image --><\/p>\n<div class=\"featured-image \/\/ u-margin-lr-n10@mobile-max lrv-u-margin-b-1 a-become-display-width@mobile-max\">\n<figure class=\"o-figure   lrv-u-max-width-100p\" style=\"\">\n<div class=\"c-lazy-image  \">\n<div class=\"a-crop-387x256\" style=\"\">\n<p>\t\t\t\t\t\t<img class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/02\/chappell-roan-grammys-2025-billboard-2-1548.jpg?w=942&amp;h=623&amp;crop=1\" alt=\"Chappell Roan at the 67th GRAMMY Awards held at the Crypto.com Arena on February 2, 2025 in Los Angeles, California.\" srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/02\/chappell-roan-grammys-2025-billboard-2-1548.jpg?w=942&amp;h=623&amp;crop=1 1548w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/02\/chappell-roan-grammys-2025-billboard-2-1548.jpg?w=942&amp;h=623&amp;crop=1&amp;resize=300%2C198 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/02\/chappell-roan-grammys-2025-billboard-2-1548.jpg?w=942&amp;h=623&amp;crop=1&amp;resize=942%2C623 942w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 100vw\" height=\"\" width=\"\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex u-justify-content-space-between a-font-primary-xs lrv-u-color-black lrv-u-margin-t-050 lrv-u-margin-lr-125@mobile-max lrv-u-border-b-1 lrv-u-border-color-grey-light lrv-u-padding-b-1\">\n<p>\t\t\t\t\t<span class=\"\">Chappell Roan at the 67th GRAMMY Awards held at the Crypto.com Arena on February 2, 2025 in Los Angeles, California.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-color-grey-dark\">Christopher Polk<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<div class=\"a-content lrv-a-floated-parent lrv-a-glue-parent a-font-body-m\">\n\t\t\t\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe major headlines of the 67th annual Grammy Awards will naturally involve the major award wins: Beyonc\u00e9 at long last winning the album of the year trophy, Kendrick Lamar\u2019s \u201cNot Like Us\u201d triumphing in both record and song of the year to give the superstar rapper his first Big Four category wins, Chappell Roan capping off a meteoric rise with a best new artist trophy. When we look back at these Grammys, those victories will loom large \u2014 but they\u2019re not the whole story.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn fact, the 2025 Grammys included arguably the most consistent performance slate in recent memory, a collection of new artists, fast-rising superstars, industry veterans and timeless legends that all brought their A-games and kept the telecast humming along at a surprisingly brisk pace. The Grammys approached a four-hour run-time, but with artists like Benson Boone backflipping around the stage, Herbie Hancock and Stevie Wonder catching up in public, Sabrina Carpenter tossing out smash hits, and Charli XCX turning Crypto.com Arena into Los Angeles\u2019 coolest club, the show never dragged, and often upended expectations.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPlugged-in pop fans got to see their favorite artists dominate the stage, while casual listeners were exposed to voices that have the power to truly excite. And while past years carried performance lineups that were too homogenous, the 2025 slate covered a wide scope of popular music, including a few surprise performers.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile every showcase at the 2025 Grammys was worthwhile, here is our ranking of the best of the best \u2014 all 16 performances, ranked.<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Khruangbin<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAfter a handful of pop-spectacle performances, psych-rock trio Khruangbin made the most of their very short spotlight to kick off the best new artist medley, delivering a speedy rendition of their shaggy track \u201cMay Ninth.\u201d The trio sounded nimble and game \u2014 not their fault that they only had a few seconds to appeal to primetime viewers, but the truncated performance unfortunately didn\u2019t shed enough light on their aesthetic.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Chris Martin<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe <a href=\"https:\/\/www.billboard.com\/music\/awards\/chris-martin-all-my-love-2025-grammys-in-memoriam-1235890711\/\">\u201cIn Memoriam\u201d segment<\/a> of an awards ceremony typically calls for a current artist performing a mournful standard, but Coldplay frontman Chris Martin instead opted for his stadium band\u2019s own recent song, the <em>Moon Music <\/em>track \u201cAll My Love.\u201d With a small band supporting him, Martin delivered a muted take on a heartfelt song, soundtracking plenty of lump-in-throat images (none more emotional than the opening clips of One Direction\u2019s Liam Payne).<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Los Angeles Tribute (Dawes, Brad Paisley, John Legend, Sheryl Crow, Brittany Howard and St. Vincent)<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDuring the cold open of the Grammys ceremony, host Trevor Noah told viewers around the world that, just a few weeks ago, no one was sure that the awards show would even happen, thanks to the wildfires that caused incalculable loss across Los Angeles. \u201cAnd despite all the devastation,\u201d Noah said, \u201cthe spirit of the city has emerged.\u201d The 67th annual Grammy Awards would be celebrating not just the best music of the year, but the city that has been the ceremony\u2019s longtime host city.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith that, an all-star collection of artists came together to kick off the ceremony, with folk-rock band Dawes (whose members suffered devastating losses in the wildfires) leading the supergroup through a jaunty rendition of Randy Newman\u2019s \u201cI Love L.A.,\u201d as clips of firefighters and first responders played on the screens behind them. Instead of commemorating the city\u2019s hellish past month with a sorrowful tribute, the performance kept the occasion upbeat \u2014 and while Dawes effectively led the sing-along, one wishes the other members of the performance had their respective presences highlighted a bit more, other than exclaiming \u201cWe love it!\u201d on cue.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Teddy Swims<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn the middle of a best new artist medley that featured several crowded stages, Teddy Swims opted to stick to the basics \u2014 just keys and guitar behind him, a violinist to his right, and \u201cLose Control,\u201d the biggest Hot 100 hit of 2024, front and center. Wearing a long white coat with huge red roses stitched in, and with close-up shots focusing on his tatted face, Teddy Swims allowed his voice to shine on a stage in the middle of the crowd, many members of which were swaying along with his ubiquitous hit.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Shaboozey<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tArriving with a spotlight shining bright behind him, Shaboozey launched into a few seconds of recent single \u201cGood News\u201d \u2014 but the entire arena understood that he had to perform the smash that helped him set Hot 100 history. Months into its chart run, \u201cA Bar Song (Tipsy)\u201d remains a giddy delight to hear in a communal setting, and Shaboozey was grinning from ear to ear as he lightly two-stepped to his twist on country, while his backup dancers dipped their cowboy hats in time. At one point, he raised his hand to feel the crowd singing along to one of the biggest hits in recent memory \u2014 a young, talented artist who was relatively unknown this time a year ago, now getting to live out his dream.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>The Weeknd<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn a truly unexpected appearance, The Weeknd graced the Grammys stage following Recording Academy head Harvey Mason jr.\u2019s extended address of the positive changes that the Grammys have made in recent years, in light of Abel Tesfaye\u2019s public boycott of the ceremony. The timing was perfect \u2014 The Weeknd\u2019s just-released album <em>Hurry Up Tomorrow<\/em> was able to receive a primetime showcase, with \u201cCry for Me\u201d segueing into a Playboi Carti-assisted performance of their shared hit \u201cTimeless\u201d as dancers spookily writhed between them \u2014 but more than an effective promotional strategy, The Weeknd\u2019s performance signaled an overdue, and meaningful, return of one of pop\u2019s biggest names to music\u2019s biggest night. It\u2019s good to have him back in the mix.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Raye<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIf you\u2019re a U.S. music fan and only knew Raye through her breakthrough hit \u201cEscapism,\u201d chances are the British singer-songwriter\u2019s powerhouse tone made quite the impression on the Grammys stage, as she closed out the best new artist medley with a full-band take on her song \u201cOscar Winning Tears.\u201d Wearing a black sequined floor-length gown, Raye epitomized elegance as the string section heightened the drama of her melisma; even though she didn\u2019t win best new artist, she made her presence felt in front of a much wider viewership.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Benson Boone<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSometimes, a hit is big enough that you get invited to perform it at the Grammys, start singing it a few feet from Jennifer Lopez in the arena crowd, and get Heidi Klum and Nikki Glaser to dramatically tear off your outfit to reveal a powder blue jumpsuit. Such was the case with Benson Boone, who has been ruling stages with his mega-hit \u201cBeautiful Things\u201d for a year, and whose Grammys performance was fittingly rousing even before the backflips started. Boone contains plenty of charisma as a performer, and he\u2019ll likely use \u201cBeautiful Things\u201d as a springboard to a long run as a live act.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Lady Gaga and Bruno Mars<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe pair of superstars currently resides atop the Billboard Hot 100 \u2014 but instead of playing \u201cDie With a Smile\u201d at the Grammys, Lady Gaga and Bruno Mars continued the night-long homage to the city of Los Angeles by lending their pristine pipes to the Mamas &amp; the Papas\u2019 \u201cCalifornia Dreamin\u2019.\u201d The move was the definition of class: by shrugging off self-promo for a cause more significant than their hit single, Gaga and Mars got to simultaneously posit themselves as thoughtful industry leaders, and have a ball duetting on a classic.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Quincy Jones Tribute (Cynthia Erivo, Herbie Hancock, Jacob Collier, Lainey Wilson, Stevie Wonder and Janelle Mon\u00e1e)<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDuring an evening full of bright new talent, the image of Herbie Hancock playing a grand piano while Stevie Wonder sat alongside him and slowly lifted a harmonica to his lips represented a necessary tether to the Grammys\u2019 past, a pair of icons wordlessly owning the stage. The collaboration was part of an extended tribute to the legendary Quincy Jones (who passed away in November), which also included Cynthia Erivo effortlessly belting out \u201cFly Me to the Moon\u201d while accompanied by Hancock, as well as Jacob Collier stomping along with Lainey Wilson as they put a country twist on \u201cLet the Good Times Roll.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe tribute hit a bit of a lull as Wonder honored Jones with \u201cWe Are the World\u201d and Will Smith told an extended story about the advice Jones gave him as a young actor, but the energy ratcheted back up when the segment reached its conclusion: Janelle Mon\u00e1e embodying MJ for a riotous take on \u201cDon\u2019t Stop \u2019Til You Get Enough.\u201d The multi-hyphenate star nailed the dance moves, paraded through the crowd and sported a \u201cI &lt;3 Q J\u201d t-shirt, punctuating the salute to an industry giant with undeniable vigor.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Shakira<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI had to find a way to put myself back together,\u201d Shakira declared during a video testimonial that introduced her Grammys performance, her winding personal and professional life leading back to this coveted stage for the first time in over a decade. Shakira is no stranger to humongous pop moments after playing stadiums around the world as well as a Super Bowl halftime show, but her Grammys performance made for a nifty change-up: she began in the middle of the arena floor with an intimate understanding of the camera during \u201cOjos Asi,\u201d then snaked toward the stage to join her dancers for an exuberant \u201cBzrp Music Sessions Vol. 53.\u201d Even after arriving onstage, Shakira\u2019s energy was looser than expected \u2014 instead of looking for pinpoint accuracy, she treated the Grammys set as a playful exercise, which ultimately made for a more satisfying viewing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Billie Eilish<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBillie Eilish always approaches her stage show with thoughtful visuals, and for her showcase of her nominated smash \u201cBirds of a Feather,\u201d the pop superstar continued the ceremony\u2019s tribute to Los Angeles, playing alongside her brother Finneas and her backing band on transported hiking terrain that re-created San Gabriel Mountains and Eaton Canyon in Altadena. The sky moved behind her on the video screen, the trees swayed, and images flashes of the siblings\u2019 shared childhood in the City of Angels, before Eilish concluded with an emphatic \u201cI love you, L.A.\u201d The result was a subtle yet genuinely touching tip of the Dodgers cap to the city that made Eilish who she is, as well as a gorgeous rendition of a months-long hit.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Sabrina Carpenter<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tArriving onstage covered in sparkles and oozing confidence, Sabrina Carpenter harkened back to soft-shoe showbiz before fumbling her cane with a wink, ditching the pseudo suit-and-tie and presenting \u201cEspresso\u201d as a big-band show-stopper, complete with a tap-dance breakdown. She then switched to a dreamy version of \u201cPlease Please Please\u201d while surrounded by tuxedo-clad dancers before toggling back to the final chorus of \u201cEspresso,\u201d finishing with pyrotechnics exploding atop a towering staircase and fists proudly on hips.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCapping off a breakthrough year just minutes before winning her first Grammy presented on the telecast, Carpenter played the role of old-school hitmaker with plenty of self-deprecating humor, immaculate hits and oodles of pure fun. Her Grammys debut ultimately demonstrated why she\u2019s become an in-demand arena headliner, and broke through to the mainstream after years of honing her craft.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Chappell Roan<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFollowing a video segment that captured her journey from Midwest dreamer to global superstar, Chappell Roan underlined how she made that leap with a rocking, audacious rendition of \u201cPink Pony Club\u201d \u2014 complete with an enormous pink pony in the center of her stage. Yet no oversized animal could overshadow Roan and her gaggle of rodeo clowns, who joined her for a choreo-heavy, full-throated take on the anthem about finding your community and yourself.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWearing a bedazzled black leather two-piece and a look of unflinching determination, Roan whipped her hair to the screaming guitar solos, flaunted her gargantuan vocals and blew a kiss to the arena audience as they gave her a standing ovation. Roan\u2019s <em>The Rise and Fall of a Midwest Princess<\/em> started off slowly upon its 2023 release and became a word-of-mouth sensation throughout 2024; by Grammy Night in 2025, however, it was crystal-clear that she was born to be a star, and her command of the moment was never in doubt.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Charli XCX<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFirst, the party was too boisterous for the Grammys stage. Just like Charli XCX has been operating in her own lane for years without awards recognition, she kicked off her performance on Sunday evening within the guts of Crypto.com Arena, black fur wrapped around her shoulders as \u201cVon Dutch\u201d connected Charli to a collection of rabid onlookers backstage. Soon enough, however, the <em>Brat<\/em> experience spilled into the Grammys, with Charli arriving in time to crawl along the rave onstage, engage in some feral screaming as the \u201cGuess\u201d beat kept thumping, watch underwear rain from the sky (an onscreen message read \u201cAll unworn undergarments will be donated to survivors of domestic violence through I Support The Girls\u201d), and give birthday girl Julia Fox a shout-out.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIf you\u2019re among the many who have wrapped their arms around the bleary-eyed delights of <em>Brat<\/em> since its release, Charli\u2019s Grammys performance was as unhinged, euphoric and secretly brilliant as you could hope for. We may never witness a Grammys performance like this again; it was a party frozen in time, even if Brat Summer lives forever.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Doechii<\/h2>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen Doechii won best rap album during the Grammys telecast, making her just the third woman artist to win in the category, she was visibly emotional, marveling at the victory for <em>Alligator Bites Never Heal<\/em> and telling the world about the humble beginnings that brought her to the podium. Soon after, however, the Tampa native had sharpened her gaze, returned to the stage, and demonstrated why she belonged to an elite class of MC, and become one of the hottest names in all of popular music over the past few years.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAlways an electrifying performer, Doechii maximized her Grammys slot by weaving high-concept visuals \u2014 dueling clones, twitchy choreography, ripped-away clothing and sliding floors \u2014 with breathless rhyming, opting to rip through \u201cCatfish\u201d and \u201cDenial is a River\u201d with a ferocity that no other performer on Sunday evening could equal. Jay-Z, SZA and Billie Eilish were among the stars blown away in the arena crowd, but millions watching around the world got to witness Doechii\u2019s fusion of raw talent and action-packed execution. This was the sort of performance that levitates above everything around it, and is enough to convince that, right after a landmark best rap album victory, Doechii is just getting started.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul><\/div>\n<\/div>\n<\/div><\/div>\n<div class=\"newsletter-cta \/\/ lrv-u-margin-tb-125 lrv-u-margin-tb-150@desktop-xl lrv-u-padding-tb-050 lrv-u-flex u-border-tb-1 lrv-u-align-items-center lrv-u-flex-direction-column@mobile-max\">\n<p>\t<a class=\"c-logo lrv-a-unstyle-link u-display-inline-flex lrv-u-width-100p  u-max-width-100 lrv-u-margin-r-075 u-height-26\" href=\"https:\/\/www.billboard.com\/\" title=\"Billboard\"><br \/>\n\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" style=\"height:100%;width:100%\" viewbox=\"0 0 455.133 94.711\"><path d=\"M70.107 28.859h21.318V93.69H70.107zM95.834 3.51h21.312v90.18H95.834zm25.723 0h21.312v90.18h-21.312zm250.711 32.035v-6.686h-21.315V93.69h21.315V62.792c0-7.949 4.154-12.237 11.728-12.237h2.522V28.229c-6.432.253-11.1 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Night. Chappell Roan at the 67th GRAMMY Awards held at the Crypto.com Arena on February 2, 2025 in Los Angeles, California. Christopher Polk The major headlines of the 67th annual Grammy Awards will naturally involve the major award wins: Beyonc\u00e9 at long last winning the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5051,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-5050","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-billboard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.9 (Yoast SEO v27.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Who Had the Best Song? - Radio La Nuestra FM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radiolanuestrafm.com\/?p=5050\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Who Had the Best Song?\" \/>\n<meta property=\"og:description\" content=\"[ad_1] Here&#8217;s who hit the stage and highlighted Music&#8217;s Biggest Night. 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